Publications and Research

Document Type

Article

Publication Date

3-2012

Abstract

Josef Von Sternberg was a master film craftsman. Known for its use of shadow and closeup, The Docks of New York, demonstrates the work of a filmmaker at the peak of his powers.

This article was written for Senses of Cinema magazine to accompany the screenings at the Cinemateque in Melbourne, Australia.

 
 

To view the content in your browser, please download Adobe Reader or, alternately,
you may Download the file to your hard drive.

NOTE: The latest versions of Adobe Reader do not support viewing PDF files within Firefox on Mac OS and if you are using a modern (Intel) Mac, there is no official plugin for viewing PDF files within the browser window.