A Convergence of Surrealism and Realism: Why Spirituality, Folklore, and the Supernatural Saturate the Work of Toni Morrison

Author

Kevon K. Harvey, City College of New YorkFollow

Date of Award

2018

Document Type

Thesis

Department

English

First Advisor

Robert Higney

Keywords

Fabulism, Magical Realism, Paradox, African traditions, Myth

Abstract

This paper will analyze how Toni Morrison blends surrealistic elements into the recognized realism of her text by crafting various paradoxes within her work. Using three of Morrison’s books: Sula, Song of Solomon, and Beloved, I will examine how each book ties a specific surrealistic component, as well as an equally relevant realistic element that will aid in the construct of a figurative bridge between the cultural past and present for African Americans. Moreover, I will discuss how the use of the surreal in Morrison’s work represents a dive into African traditions. Formed as a direct result of slavery, she aims to subvert the past and present “cultural imprisonment” of African Americans by linking the surreal traditions of the past with the real events of the present.

Recommended Citation

Harvey, Kevon K., "A Convergence of Surrealism and Realism: Why Spirituality, Folklore, and the Supernatural Saturate the Work of Toni Morrison" (2018). CUNY Academic Works.
https://academicworks.cuny.edu/cc_etds_theses/715