Upon the Plains of the Soul .'. The Liberating Logos of Joao Guimaraes Rosa in "Grande Sertao: veredas"
Date of Degree
Hispanic & Luso-Brazilian Literatures & Languages
English Language and Literature | Religion
Chemical wedding, Jagunco, Kabbalah, Mythology, Sacred Feminine, Tarot
Two drawings accompanied the novel Grande Sertão: veredas by João Guimarães Rosa in its second edition (1958). Not much attention has been given to them. In fact, their corners and ends have, in many editions, suffered "amputations." So many are the published editions that have simply discarded them. In my dissertation, I sustain that these "maps" are part of the text of the novel. They are the "Roteiro de Deus," Man's Path of Return to the "Paradisical Garden." I propose an esoteric reading of them along with an esoteric reading of the novel itself. Rosa's novel is an alchemical furnace, in which the alchemist, by submitting language to decomposition and distillation, is intently creating his "Opus Alchymicum." The final product, the "philosopher's Stone," is a perfect chemical marriage between words and images. What the novel hides, the maps show. There is no "happy ending" in the text because the "Creator" hides it in the "maps."
Galvao, Jizelda, "Upon the Plains of the Soul .'. The Liberating Logos of Joao Guimaraes Rosa in "Grande Sertao: veredas"" (2014). CUNY Academic Works.
This work is embargoed and will be available for download on Tuesday, October 01, 2024
Graduate Center users:
To read this work, log in to your GC ILL account and place a thesis request.
See the GC’s lending policies to learn more.