Date of Degree
American Literature | Literature in English, North America | Modern Literature | Poetry
In the study of poetry, measure traditionally refers to the meter in which a poem is written. This understanding of measure is in keeping with its sense as a standard according to which the size, amount, or degree of something can be classified—itself the standard for what is usually meant by measure. The Myth of Measure in American Poetry explores the work of Ralph Waldo Emerson, William Carlos Williams, and Nathaniel Mackey, three American poets and thinkers of poetry who have complicated the term measure, not so much arguing against its correlation with meter in poetry as wanting to show that the choice and discovery of particular poetic meters are implicated in questions exceeding prosodical classification alone. In the three chapters, I explore the particular ways in which each of these three figures have sought to think in a more expansive sense about the concept of measure in their essays and how their poems reflect, and contribute to, their discoveries in that quest. This dissertation seeks to understand how thinking in this more expansive sense about the concept of measure has not only motivated these poets to make changes to poetic form commensurate with the time and occasion in which they found (and find) themselves but, furthermore, to question poetry’s power to affect reality itself.
Barber, Joshua M., "The Myth of Measure in American Poetry" (2023). CUNY Academic Works.
This work is embargoed and will be available for download on Sunday, June 01, 2025
Graduate Center users:
To read this work, log in to your GC ILL account and place a thesis request.
See the GC’s lending policies to learn more.
American Literature Commons, Literature in English, North America Commons, Modern Literature Commons, Poetry Commons