Date of Award

Spring 5-5-2018

Document Type

Thesis

Degree Name

Master of Arts (MA)

Departments/Programs

Music

First Advisor

Poundie Burstein

Second Advisor

Ya-Hui Cheng

Academic Program Adviser

Poundie Burstein

Abstract

This study illustrates the origins and concept of Vietnamese vọng cổ music, its scalar modes, and its form. It touches upon related musical features such as notation, rhythm, and cadences. Altogether, these aspects contribute defining stylistic tendencies specific to vọng cổ musicians of Vietnam and the Vietnamese diaspora.

Included in

Music Theory Commons

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