Publications and Research
Document Type
Article
Publication Date
Summer 2017
Abstract
This essay looks at T. S. Eliot's major dramatic productions from the 1930s-40s: Murder in the Cathedral, The Family Reunion, and The Cocktail Party as a series of investigations into spatial expressions of faith. By using onstage space in unique ways, Eliot encourages audiences to consider the connections between performance and belief, the knowable and unknowable.
Included in
Dramatic Literature, Criticism and Theory Commons, Literature in English, British Isles Commons, Women's Studies Commons
Comments
This article was originally published in the South Atlantic Review.