Date of Degree
Edward J. Sullivan
History of Art, Architecture, and Archaeology
This dissertation brings together a group of artists not previously studied collectively, within the broader context of both Colombian and Latin American artists in Paris. Taking into account their conditions of travel, as well as the precarious political and economic situation of Colombia at the turn of the twentieth century, this investigation exposes the ways in which government, politics and religion influenced the stylistic and thematic choices made by these artists abroad. For those who were pensioned artists and who were restricted by a defined political agenda, their artistic experimentation was limited, while the more radical artists were typically wealthy and independent. Regardless of the circumstances, Colombian artists were burdened by their country’s minimal and ineffective presence overseas, which resulted in a complete misunderstanding of their culture abroad and in a lack of presence at major universal expositions.
In focusing on their role as artists, educators and art critics, this dissertation reveals the important contributions that these travelers made to Colombian art as a result of their overseas travel. As revealed in the art criticism of the period, the work of these artists and their progressive philosophies on art were received with skepticism in Colombia, a country that until then had remained largely hermetic and which traditionally had been very conservative. These artists, who established the tradition of traveling to Paris and who challenged the insularity of Colombian art, ensured the eventual birth of modernism.
Jiménez, Maya, "Colombian Artists in Paris, 1865-1905" (2010). CUNY Academic Works.