Dissertations, Theses, and Capstone Projects
Date of Degree
6-2022
Document Type
Dissertation
Degree Name
Ph.D.
Program
English
Advisor
Wayne Koestenbaum
Committee Members
Nancy K. Miller
Eric Lott
Subject Categories
Aesthetics | Language Interpretation and Translation | Near Eastern Languages and Societies | Performance Studies | Poetry
Keywords
Flicker, Poetics, Evil-Eye, Affect, Aesthetics, Poetry, Turkish, Cut-ups, Effacement, Documentation
Abstract
This dissertation is a series of lyric essays that describe what I call “the poetics of flicker.” Over the course of five chapters, I draw connections between four interlocking literary and theoretical frameworks for “the flicker”: the Turkish story-telling traditions of my childhood, the evil-eye belief complex, the names I have been given and the politics of naming, and the cut-up technique in modern and contemporary poetry. First, I establish these origin points for the flicker. Then, I enact a “poetics”—derived from the Greek word poiein, "to make”—around it, generating cut-up texts based on my grandfather Ilhan Akant’s archive of cultural and historical documents. Through these generative exercises, I search for a meta-critical voice in my poems; a voice marked by the act of naming, as well as the act of being named.
The poetics of flicker is designed to trouble my own literary impulses towards self-effacement and self-documentation, in an oscillating dynamic between poetic demonstration and critical prose. Beneath the surface of the cross-cultural and contemporary impulses that I study, I argue there is a poetics of flicker that is always churning, and this poetics begins “in the eye,” and is often charged with complex “flicker-feelings,” such as envy and shame. By basing my critical inquiries around my praxis, I am able to offer dissections of multiple language(s), interrogations of educational traditions and institutions, interpretations of the documentary impulse, and analyses of the literary constraints that arise in the production of contemporary texts that are born from the problems of inheritance, but gesture towards the possibilities of new emergence or transformation.
Recommended Citation
Akant, Sara, "Once There Was and Once There Wasn’t: The Poetics of Flicker" (2022). CUNY Academic Works.
https://academicworks.cuny.edu/gc_etds/4851
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Included in
Aesthetics Commons, Language Interpretation and Translation Commons, Near Eastern Languages and Societies Commons, Performance Studies Commons, Poetry Commons