Dissertations from 2016
The Photographic Universe: Vilém Flusser’s Theories of Photography, Media, and Digital Culture, Martha Schwendener
Finish Fetish: Art, Artists, and Alter Egos in Los Angeles of the 1960s, Monica Steinberg
Nature and Nostalgia in the Art of Mary Nimmo Moran (1842-1899), Shannon Vittoria
Dissertations from 2015
On the Fringe of Italian Fascism: An Examination of the Relationship between Vinicio Paladini and the Soviet Avant-Garde, Christina Brungardt
Let The Record Show: Mapping Queer Art and Activism in New York City, 1986-1995, Tara Jean-Kelly Burk
Maude I. Kerns: Overlapping Interpretations of Art and Pedagogy in the Northwest and Along the Pacific Coast, 1890–1932, Mary Helen Burnham
Contemporary Art and Internationalism at the Solomon R. Guggenheim Museum, 1952–1988, Rachel Chatalbash
Los Grupos and the Art of Intervention in 1960s and 1970s Mexico, Arden Decker
The Hall of Fame for Great Americans: The Evolution of a Forgotten Memorial, Sheila Gerami
Mobilizing The Collective: Helhesten And The Danish Avant-Garde, 1934-1946, Kerry Greaves
Death and Photography in East Asia: Funerary Use of Portrait Photography, Jeehey Kim
Native American Chic: The Marketing Of Native Americans In New York Between The World Wars, Emily Schuchardt Navratil
The Print Portfolio and the Bourgeoisie in Fin-de-Siècle Paris, Britany Lane Salsbury
A Light in the Darkness: Argentinian Photography During the Military Dictatorship (1976-1983), Ana Tallone
The Architecture of Nineteenth-Century Cuban Sugar Mills: Creole Power and African Resistance in Late Colonial Cuba, Lorena Tezanos Toral
St. Nicholas Magazine: A Portable Art Museum, Mary Frances Zawadzki
Dissertations from 2014
Manuel de la Cruz Gonzalez: Transnationalism and the Development of Modern Art in Costa Rica, Lauran Bonilla-Merchav
From Berlin to Broadacres: Central European Influence on American Visionary Urbanism, 1910-1935, Margaret Herman
Italians and the New Byzantium: Lombard and Venetian Architects in Muscovy, 1472-1539, Ellen A. Hurst
Roma in Lima: Italian Renaissance Influence in Colonial Peruvian Painting, Christa Irwin
Apotheosis of the Public Realm: Civic Classicism in New York City's Architecture, Paul Andrija Ranogajec
Maniera Devota/mano Donnesca: Women, Virtue And Visual Imagery During The Counter-Reformation In The Papal States, 1575-1675, Patricia Rocco
Disseminating Devotion: The Image and Cult of the Black Christ in Colonial Mexico and Central America, Elena FitzPatrick Sifford
Dynamics and Divisions at the Salons of The Rose-Croix: Statistics, Aesthetic Theories, Practices, and Subjects, Mary Slavkin
Standard Deviations: Reality, Reproducibility, and Politics in Performance Art since 1989, Jonah Westerman
A Feminist Inheritance? Questions of Subjectivity and Ambivalence in Paul McCarthy, Mike Kelley and Robert Gober, Marisa White-Hartman
Dissertations from 2012
The Museum of Modern Art's "What Is Modern?" Series, 1938-1969, Jennifer Tobias
Yayoi Kusama: Biography and Cultural Confrontation, 1945–1969, Midori Yamamura
Dissertations from 2010
Modern Time: Photography and Temporality, Kris Belden-Adams
Colombian Artists in Paris, 1865-1905, Maya Jiménez
Dissertations from 2009
The Church and Convento of Santo Domingo Yanhuitlan, Oaxaca: Art, Politics, and Religion in a Mixtec Village, Sixteenth Through Eighteenth Centuries, Alessia Frassani
Dissertations from 2007
Edward Durell Stone: Perception and Criticism, Mary Anne Hunting
Dissertations from 2006
Larry Rivers and Frank O'Hara: Reframing Male Sexualities, Dong-Yeon Koh
Dissertations from 2004
John B. Flannagan (1895-1942): A Reexamination of His Life and Work, Katherine Rangoon Doyle
Bartolomeo di Tommaso da Foligno, Michael Patrick Johnson
Dissertations from 2002
Art to Educate: A History of Public Art in the New York City Public Schools, 1890–1976, Michele Cohen
Charles M. Kurtz (1855-1909): Aspects and Issues of a Cosmopolitan Career, Arleen Pancza Graham
For "The Boys in Blue": The Art Galleries of the Sanitary Fairs, Evdokia Savidou-Terrono
Dissertations from 2000
Painted Slang: The Caricatural Aspects of French Painting, 1850–1880, Melina V. Kervandjian
Robert Henri and the American Southwest: His Work and Influence, Valerie Ann Leeds
Dissertations from 1999
Robert Henri and Cosmopolitan Culture of Fin-de-Siecle France, Linda Jones Gibbs
The Writings of Russell Sturgis and Peter B. Wight: The Victorian Architect as Critic and Historian, Marjorie A. Pearson
Creating Art and Artists: Late Nineteenth-Century American Artists' Studios, Karen A. Zukowski
Dissertations from 1998
Ana Mendieta, the Iowa Years: A Critical Study, 1969 through 1977, Julia P. Herzberg
The Ideal Catalogue House: Mail-Order Architecture and Consumer Culture, 1914–1930, Evie T. Joselow
Dissertations from 1996
Tina Modotti's Vision: Photographic Modernism in Mexico, 1923-1930, Sarah Margaret Lowe
Dissertations from 1991
Claes Oldenburg: Sculpture, 1960-1968. A Catalogue Raisonne. (Volumes I and II), Susan Ginsburg
Dissertations from 1990
The American Academy of the Fine Arts, New York, 1802-1842. (Volumes I and II), Carrie J. Rebora
Dissertations from 1988
The Politics of Experience: Robert Morris, Minimalism, and the 1960s, Maurice Berger
Dissertations from 1985
Gertrude Kasebier: Her Photographic Career, 1894-1929, Barbara L. Michaels
Dissertations from 1984
Universal Expositions of the Second Empire: A Study in Art and Politics (Volumes I and II), Patricia Mainardi
