Dissertations from 2015
The Architecture of Nineteenth-Century Cuban Sugar Mills: Creole Power and African Resistance in Late Colonial Cuba, Lorena Tezanos Toral
St. Nicholas Magazine: A Portable Art Museum, Mary Frances Zawadzki
Dissertations from 2014
Manuel de la Cruz Gonzalez: Transnationalism and the Development of Modern Art in Costa Rica, Lauran Bonilla-Merchav
From Berlin to Broadacres: Central European Influence on American Visionary Urbanism, 1910-1935, Margaret Herman
Italians and the New Byzantium: Lombard and Venetian Architects in Muscovy, 1472-1539, Ellen A. Hurst
Roma in Lima: Italian Renaissance Influence in Colonial Peruvian Painting, Christa Irwin
Apotheosis of the Public Realm: Civic Classicism in New York City's Architecture, Paul Andrija Ranogajec
Maniera Devota/mano Donnesca: Women, Virtue And Visual Imagery During The Counter-Reformation In The Papal States, 1575-1675, Patricia Rocco
Disseminating Devotion: The Image and Cult of the Black Christ in Colonial Mexico and Central America, Elena FitzPatrick Sifford
Dynamics and Divisions at the Salons of The Rose-Croix: Statistics, Aesthetic Theories, Practices, and Subjects, Mary Slavkin
Standard Deviations: Reality, Reproducibility, and Politics in Performance Art since 1989, Jonah Westerman
A Feminist Inheritance? Questions of Subjectivity and Ambivalence in Paul McCarthy, Mike Kelley and Robert Gober, Marisa White-Hartman
Dissertations from 2012
The Museum of Modern Art's "What Is Modern?" Series, 1938-1969, Jennifer Tobias
Yayoi Kusama: Biography and Cultural Confrontation, 1945–1969, Midori Yamamura
Dissertations from 2010
Modern Time: Photography and Temporality, Kris Belden-Adams
Colombian Artists in Paris, 1865-1905, Maya Jiménez
Dissertations from 2009
The Church and Convento of Santo Domingo Yanhuitlan, Oaxaca: Art, Politics, and Religion in a Mixtec Village, Sixteenth Through Eighteenth Centuries, Alessia Frassani
Dissertations from 2007
Edward Durell Stone: Perception and Criticism, Mary Anne Hunting
Dissertations from 2006
Larry Rivers and Frank O'Hara: Reframing Male Sexualities, Dong-Yeon Koh
Dissertations from 2004
John B. Flannagan (1895-1942): A Reexamination of His Life and Work, Katherine Rangoon Doyle
Bartolomeo di Tommaso da Foligno, Michael Patrick Johnson
Dissertations from 2002
Art to Educate: A History of Public Art in the New York City Public Schools, 1890–1976, Michele Cohen
Charles M. Kurtz (1855-1909): Aspects and Issues of a Cosmopolitan Career, Arleen Pancza Graham
For "The Boys in Blue": The Art Galleries of the Sanitary Fairs, Evdokia Savidou-Terrono
Dissertations from 2000
Painted Slang: The Caricatural Aspects of French Painting, 1850–1880, Melina V. Kervandjian
Robert Henri and the American Southwest: His Work and Influence, Valerie Ann Leeds
Dissertations from 1999
Robert Henri and Cosmopolitan Culture of Fin-de-Siecle France, Linda Jones Gibbs
The Writings of Russell Sturgis and Peter B. Wight: The Victorian Architect as Critic and Historian, Marjorie A. Pearson
Creating Art and Artists: Late Nineteenth-Century American Artists' Studios, Karen A. Zukowski
Dissertations from 1998
Ana Mendieta, the Iowa Years: A Critical Study, 1969 through 1977, Julia P. Herzberg
Dissertations from 1996
Tina Modotti's Vision: Photographic Modernism in Mexico, 1923-1930, Sarah Margaret Lowe
Dissertations from 1991
Claes Oldenburg: Sculpture, 1960-1968. A Catalogue Raisonne. (Volumes I and II), Susan Ginsburg
Dissertations from 1990
The American Academy of the Fine Arts, New York, 1802-1842. (Volumes I and II), Carrie J. Rebora
Dissertations from 1988
The Politics of Experience: Robert Morris, Minimalism, and the 1960s, Maurice Berger
Dissertations from 1985
Gertrude Kasebier: Her Photographic Career, 1894-1929, Barbara L. Michaels
Dissertations from 1984
Universal Expositions of the Second Empire: A Study in Art and Politics (Volumes I and II), Patricia Mainardi