This collection contains doctoral dissertations and master's capstone projects that include a substantive online or digital component to the work. The Graduate Center Library preserves these related digital projects using methods outlined on our Depositing Digital Work guide. Format guidelines for documenting digital projects for deposit were implemented in May 2018. The MA Program in Liberal Studies added a capstone project option in 2015; prior to that, all graduating students deposited their work under the "thesis" category.

As of 2014, all newly submitted Graduate Center dissertations and theses appear in Academic Works shortly after graduation. Some works are immediately available to read and download, and some become available after an embargo period set by the author. Dissertations and theses from before 2014 are generally accessible only to the CUNY community, but some authors have chosen to make theirs open access.

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Dissertations

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Vanishing Leaves: A Study of Walt Whitman Through Location-Based Mobile Technologies, Jesse A. Merandy

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The Making of Knowledge-Makers in Composition: A Distant Reading of Dissertations, Benjamin M. Miller

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Creation, Resistance, and Refacement: Postfuturist Storytelling, Cultural Flows, and the Remix, Nikolina Nedeljkov

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Between Speech & Song: Clarifying the Sprechstimme of Schoenberg's Pierrot lunaire, Sara M. Paar

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Social Media Use and Media Literacy in Relation to Adolescents' Understanding of the Internet, Kasey L. Powers

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Re-visualizing Care: Teachers' Invisible Labor in Neoliberal Times, Victoria G. Restler

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TextFrame: Cosmopolitanism and Non-Exclusively Anglophone Poetries, Michael N. Scharf

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“Dropouts” Drop In: Re-Visualizing the “Dropout” Stereotype, Rondi Silva

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A Derivation of the Tonal Hierarchy from Basic Perceptual Processes, David Smey

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The Importance of Bioacoustics for Dolphin Welfare: Soundscape Characterization with Implications for Management, Heather Ruth Spence

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The Art of the Commonplace: Found Sounds in Compositional Practice, Jennifer Stock

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Lyrical Mysticism: The Writing and Reception of Catherine of Siena, Lisa Tagliaferri

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Translanguaging About, With, and Through Code and Computing: Emergent Bi/multilingual Middle Schoolers Forging Computational Literacies, Sara Vogel

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Gay Boy and Playboy Revues: Constructing U.S. Queer Collectivities in Networks of Peripatetic Burlesque and Nightclub Drag Performers, 1933–1939, Kalle Westerling

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Taking the Venereal out of Venereal Disease: The Public Health Campaign Against Syphilis, 1934-1945, Erin Wuebker

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How and Where to Make a Fortune: Mapping the Fictions of Economic Mobility through Work in British Literature, 1719–1809, Heather Zuber

Theses

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Infixer: A Method for Segmenting Non-Concatenative Morphology in Tagalog, Steven R. Butler

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Ecomusicology: back to the roots of sound/music and environmental sustainability, Tiffany Challe

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Nondescript: A Web Tool to Aid Subversion of Authorship Attribution, Robin Davis

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The Difficulties of Filming Syrian Refugee Populations Living in Jordan: Obstacles to Objectivity and Accuracy in Reporting, Thaddeus E. DeCaprio

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Gentle Introduction Resource, James Anderson Laird Evans

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Recursive Neural Networks for Semantic Sentence Representation, Liam S. Geron

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Bass in Your Face: A Case-Study Exploration of Networked Culture, Samantha Phyllis Kretmar

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Event Parsing In Narrative: Trials And Tribulations Of Archaic English Fairy Tales, Rebecca Lovering

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The Jacob A. Riis-Theodore Roosevelt Digital Archive, Jonathan Conrad Maxwell

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The Journal Of Mother Studies: A Peer Reviewed, International, Interdisciplinary, Open-Acess, Digital Humanities Hybrid Project, Martha Joy Rose

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Generative Adversarial Networks and Word Embeddings for Natural Language Generation, Robert D. Schultz Jr

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ES-ESA: An Information Retrieval Prototype Using Explicit Semantic Analysis and Elasticsearch, Brian D. Sloan