Dissertations, Theses, and Capstone Projects
Date of Degree
1987
Document Type
Dissertation
Degree Name
Ph.D.
Program
Music
Advisor
Henry Weinberg
Committee Members
Robert Starer
Sherman Van Solkema
Joel Lester
Leo Kraft
David Olan
Subject Categories
Music
Abstract
Libra (1968), for mixed chamber ensemble, is one of the last works by the Anglo-Spanish composer Roberto Gerhard (1896-1970). Analysis of this work reveals that it employs a variety of compositional techniques, including pitch cells, serialism, folk elements, and structures based primarily on texture and timbre. This multiplicity of means reflects Gerhard's background, which included beginnings in Spanish nationalism and later work as a pupil of Arnold Schoenberg. Libra is unified through the dramatic combination of the various elements, the use of a limited number of motives, and the possible influence of a secret autobiographical program.
Sinfonia Brevis. A work for orchestra (2d1 2 2 2 - 4 2 2 0, timpani, 2 percussionists, strings) in one movement divided into four sections (Andante Moderato, Allegro, Adagio, Allegro), with a duration of approximately 17 minutes.
Recommended Citation
Miller, Jeffrey Lynn, "An Analysis of Roberto Gerhard's "Libra"" (1987). CUNY Academic Works.
https://academicworks.cuny.edu/gc_etds/4112
Comments
Digital reproduction from the UMI microform.
This essay and the original composition, Sinfonia Brevis, together constitute the dissertation but are otherwise unrelated.