Stolen Moments: Jazz and the Opportunity to Capture Hip Hop Fans

Author

Fahiym Abdul-Wasi, CUNY Graduate CenterFollow

Date of Degree

9-2025

Document Type

Master's Thesis

Degree Name

Master of Arts

Program

Liberal Studies

Advisor

Todd Craig

Subject Categories

African American Studies | American Studies | Hip Hop Studies | Musicology

Keywords

hip hop, jazz, new york city, los angeles, black music, african american

Abstract

This thesis explores the intricate relationship between jazz and hip-hop, examining how these two influential genres intersect culturally and musically. Jazz, with its rich history and expressive improvisation, laid the groundwork for hip-hop, a genre that emerged as a powerful voice for Black Americans and other disenfranchised communities. The thesis highlights the impact of sampling, a fundamental technique in hip-hop that allows artists to repurpose jazz recordings and thereby preserve their legacy while infusing contemporary narratives. By analyzing key albums and the contributions of notable artists, this study underscores the potential for reintroducing jazz to new audiences through hip-hop. As contemporary musicians blend these genres, they bridge the gap between past and present, fostering a renewed appreciation for jazz among casual hip-hop fans and enriching the cultural dialogue in the American music landscape. Through this exploration, the thesis advocates for a deeper understanding of how the fusion of jazz and hip-hop can create a dynamic platform for social commentary, cultural identity, and artistic innovation.

Recommended Citation

Abdul-Wasi, Fahiym, "Stolen Moments: Jazz and the Opportunity to Capture Hip Hop Fans" (2025). CUNY Academic Works.
https://academicworks.cuny.edu/gc_etds/6416