Date of Award

Summer 9-1-2018

Document Type

Thesis

Degree Name

Master of Arts (MA)

Departments/Programs

English

First Advisor

Amy M. Robbins

Second Advisor

Jeremy Glick

Academic Program Adviser

Amy Robbins

Abstract

The affective path to radicalism unfolds in Plath's Ariel in three stages. Revulsion identifies a shared source of conflict with a clear patriarchal enemy. Restlessness mimics the context and pace of rebellion, including the acute crises that give way to a societal awakening. Rage connotes incipient action and a commitment to upheaval as an act of restorative justice. The associated “ugly feelings” that facilitate such affects are a reflection of how, historically, progress has come at the cost of suffering. Plath’s language and its capacity for commanding this perverse sense of the sublime – particularly its ability to control the reader’s emotional and physical experience of vicarious suffering – culminates in radical cabal across three affected bodies at any given time. From Plath’s syntax to the speakers’ narratives to the readers’ resultant perspectives on time, pain, and desire, political consciousness becomes inseparable from the poetics of the body.

Share

COinS
 
 

To view the content in your browser, please download Adobe Reader or, alternately,
you may Download the file to your hard drive.

NOTE: The latest versions of Adobe Reader do not support viewing PDF files within Firefox on Mac OS and if you are using a modern (Intel) Mac, there is no official plugin for viewing PDF files within the browser window.