Publications and Research
Document Type
Working Paper
Publication Date
11-2003
Abstract
Opera has historically been one of the most expensive and complex art forms to produce, limiting its accessibility and viability, especially for smaller companies and touring productions. This paper proposes a new model for opera production that utilizes emerging technologies—such as synchronized digital music systems, real-time projection, and programmable lighting—to create high-quality operatic experiences at significantly reduced cost. By leveraging tools like the Sinfonia system for musical timing and dynamic visual elements controlled by digital protocols, opera can be made portable, repeatable, and customizable. The model aims not to replace traditional opera but to supplement it with efficient, flexible systems that enable greater outreach, artistic innovation, and financial sustainability.
Included in
Digital Humanities Commons, Music Performance Commons, Other Theatre and Performance Studies Commons

Comments
This 2003 paper predicts the direction of production technology in the performing arts.