Dissertations, Theses, and Capstone Projects
Date of Degree
6-2026
Document Type
Master's Thesis
Degree Name
Master of Arts
Program
Liberal Studies
Advisor
Jerry Carlson
Subject Categories
Film and Media Studies
Keywords
Auteurism, science-fiction, horror, popular culture
Abstract
This thesis seeks to establish the work of the filmmaker Joe Dante as a catalyzing and anarchic force let loose inside larger, dumber superstructures: linear narrativity, Hollywood, America, etc. It works to read the genre films he worked on—many of them made as popular entertainment for mainstream movie studios—as moments of actual subversion, allocating status quo (studio system) resources to create a biting-back against American imperial norms in the lingua franca of Marx and the Marx Brothers: gummy leisure-seeking stupidity and Gremlin transformation. This thesis seeks to argue that to understand Dante’s work is to understand pop transfiguration itself. This is to say: films theorizing themselves according to film logic, rather than some other imposed apparatus. The Gremlin only functions so long as the film cuts to the next shot, allowing him to transition from cuddly to goopy. And so this thesis is written in the units most precious to Dante’s cinema, which is to say, Double Features.
Why must Dante proceed as a(n un)free radical inside staider and more corporate organizations? Dante embodies the comparatively rare reality of diligent film craftsman with a distinctive authorial voice. As such, this thesis also works to liberate film writing (and hopefully film watching…) from the shackles of misunderstood, misapplied auteurism. What good is being known as an auteur filmmaker when the contemporary content-making landscape disallows you from making movies? And so after spending time with the images on their own terms, this essay moves into conversation with Dante himself, conducted in as friendly terms as possible: moving images via video chat, a reaching out to the image which, in this case, is the man who imagined the images in the first place.
Recommended Citation
Falisi, Frank, "Gremlin Theory: A Film Art of Joe Dante" (2026). CUNY Academic Works.
https://academicworks.cuny.edu/gc_etds/6708
