Date of Award
Spring 5-2-2025
Document Type
Thesis
Degree Name
Master of Fine Arts (MFA)
Department
Art & Art History
First Advisor
Abigail Lucien
Academic Program Adviser
A.K. Burns
Abstract
This thesis investigates the intersections of water, power, identity, and architecture through the lens of colonial and postcolonial landscapes, focusing particularly on Persian gardens and fountain sculptures. Drawing on historical, cultural, and symbolic frameworks, the study explores how water systems embody both practical and spiritual roles, positioning water as a force of control, resistance, and regeneration. Central to this work are analyses of arches and garden designs, which serve as architectural metaphors for cosmic harmony, community gathering, and contested space. Through a combination of visual analysis, historical research, and personal artistic practice—including ceramic sculptures and multimedia installations—this thesis traces the evolving meanings of water, guardianship, and color, particularly the use of red as a symbol of resistance. By weaving together narratives of survival, colonial impact, and reclamation, the project contributes to broader conversations about environmental justice, cultural memory, and material storytelling within Middle Eastern and global contexts.
Recommended Citation
Azadehfar, Sadaf, "Fountain" (2025). CUNY Academic Works.
https://academicworks.cuny.edu/hc_sas_etds/1360
Included in
Art Practice Commons, Ceramic Arts Commons, Industrial and Product Design Commons, Interactive Arts Commons, Interdisciplinary Arts and Media Commons, Sculpture Commons
