Date of Award

Spring 5-2-2025

Document Type

Thesis

Degree Name

Master of Arts (MA)

Department

Art & Art History

First Advisor

Gaudencio Fidelis

Second Advisor

Lynda Klich

Academic Program Adviser

Lynda Klich

Abstract

This thesis examines the legibility and reception of Geraldo de Barros’s Fotoformas within Western art institutions, using MoMA’s 2021 Fotoclubismo exhibition as a case study. It argues that the integration of Brazilian modernist photography into canonical narratives often hinges on strategic affinities with Euro-American frameworks. Drawing on institutional critique, postcolonial theory, and the concept of Anthropophagy, the study explores how Fotoformas challenges conventional photographic discourse and reveals broader dynamics of artistic legitimacy and representation.

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