Date of Award

Spring 5-2-2025

Document Type

Thesis

Degree Name

Master of Arts (MA)

Department

Art & Art History

First Advisor

Howard Singerman

Second Advisor

Hendrik Dey

Academic Program Adviser

Lynda Klich

Abstract

This thesis maps the concept of Ethiopia within the development of Black American peoplehood and Pan-Africanist thought, while shedding light on the deep influence of an American-inspired Pan-Africanist ethos on the works of two Ethiopian-American bridge artists, Julie Mehretu and Aïda Muluneh specifically, and on art production more generally as expressed within contemporary Ethiopia. They are “bridge” artists because they straddle an international space between Black American and Ethiopian identities. It explores the following questions: How did an American Ethiopianism morph into or become synonymous with Afrocentrism? What crosscurrents can one see in contemporary art production in Ethiopia, and its diaspora, that show direct links to historical Black American Pan-Africanist perspectives? Is there a place for common reflection on a past that informs the future?

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