Date of Award

Spring 5-1-2026

Document Type

Thesis

Degree Name

Master of Arts (MA)

Department

Art & Art History

First Advisor

Michael Lobel

Second Advisor

Claudia Orenstein

Academic Program Adviser

Lynda Klich

Abstract

This thesis argues that puppetry is the animating logic of Greer Lankton's practice. Drawing on archival evidence—including letters, planners, and drawings—it recovers an engagement with puppetry spanning childhood through her final years, and applies puppet theory to argue that Lankton understood selfhood as something made, not given.

Included in

Queer Studies Commons

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