Date of Award
Spring 5-1-2026
Document Type
Thesis
Degree Name
Master of Arts (MA)
Department
Music
First Advisor
Farzad Amoozegar-Fassaie
Second Advisor
Leah Batstone
Academic Program Adviser
Yayoi Everett
Abstract
This thesis argues that jazz— particularly the Free Jazz movement of the 1960s–70s—can be understood through the lens of covert and overt expression, a framework tracing its lineage to earlier Black musical forms like Spirituals and Blues. Covert expression, defined here as coded or survivalist communication (e.g., Spirituals’ biblical allegories for liberation), emerges under conditions of violent oppression; overt expression, by contrast, reflects unfettered artistic agency and direct protest (e.g., Mingus’s "Fables of Faubus").
Recommended Citation
Grandchamps, Jalen F., "Covert and Overt Expression: Understanding Jazz Through Individual and Communal Values" (2026). CUNY Academic Works.
https://academicworks.cuny.edu/hc_sas_etds/1540
