Publications and Research
Document Type
Article
Publication Date
12-21-2023
Abstract
English-language mass-market romance novels written by BIPOC (Black, Indigenous, and People of Color) writers and starring BIPOC protagonists are a small but important group. This article is a comparative analysis of how recent representations of diversity in this sub-set of the genre, specifically the character of the Black academic and the language of racial justice, compare with the first group of BIPOC novels that were published in 1984 (Sandra Kitt’s Adam and Eva and All Good Things as well as Barbara Stephens’s A Toast to Love). In Adrianna Herrera’s American Love Story (2019), Katrina Jackson’s Office Hours (2020), and Talia Hibbert’s Take a Hint, Dani Brown (2020), the authors deploy the academic protagonists and setting to stage the intersections of gender, queerness, race, class, and immigrant histories, particularly as they manifest in academia, the supposed haven of free thought. In contrast to the 1984 BIPOC academic romantic protagonist, the more recent incarnation voices the cost that racism and sexism imposes even on seemingly successful people of color and articulates the structural changes and reparative policies that must be adopted for true equity.
Included in
African American Studies Commons, American Popular Culture Commons, Ethnic Studies Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Literature in English, British Isles Commons, Literature in English, North America, Ethnic and Cultural Minority Commons, Other Feminist, Gender, and Sexuality Studies Commons, Women's Studies Commons
Comments
Citation: Kamble, J. “Romancing the University: BIPOC Scholars in Romance Novels in the 1980s and Now”. Esferas Literarias, no. 6, Dec. 2023, pp. 39-55, doi:10.21071/elrl.vi6.16287
DOI: https://doi.org/10.21071/elrl.vi6.16287
This work is distributed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0).