Dissertations from 2014
The Music and Multiple Identities of Kurdish Alevis from Turkey in Germany, Ozan Aksoy
Different Placements of Spirit: African American Musicians Historicizing in Sound, Casey Hale
Todesfuge, Casey Hale
Musical Rhetoric, Narrative, Drama, and Their Negation in Morton Feldman's Piano and String Quartet, Ryan Michael Howard
The Kalophonic Settings Of The Second Psalm In The Byzantine Chant Tradition Of The Fourteenth And Fifteenth Centuries, Arsinoi Ioannidou
Secrets of a Toy-box: A Study of Claude Debussy's La Boîte à joujoux, Mirna Lekic
Rotational Form And Sonata-Type Hybridity In The First Movement Of Shostakovich's Fourth Symphony, Charity Lofthouse
Emerging Musical Structures: A method for the transcription and analysis of Electroacoustic Music, Mario Mazzoli
A Structural Approach to the Analysis of Rock Music, Drew F. Nobile
Melodic Function and Modal Process in Gregorian Chant, Richard Porterfield
Analysis And Performance Suggestions For Witold Lutoslawski's Grave: Metamorphoses For Cello And Piano, Marta Reilly
The Mad Science of Hip-Hop: History, Technology, and Poetics of Hip-Hop's Music, 1975-1991, Patrick Rivers
Nikolai Medtner's First Piano Concerto: A Metrotectonic Analysis, Aleksandra Sarest
October in Galicia, Karen J. Siegel
Timbral Transformations in Kaija Saariaho's From the Grammar of Dreams, Karen J. Siegel
A Derivation of the Tonal Hierarchy from Basic Perceptual Processes, David Smey
The Art of the Commonplace: Found Sounds in Compositional Practice, Jennifer Stock
Redefining Diaspora Consciousness: Musical Practices Of Moroccan Jews In Brooklyn, Samuel Reuben Thomas
Xenakis in America, Charles Wolcott Turner
Ralph Shapey and the Search for a New Concept of Musical Continuity, 1939-66, Barry Wiener
At the Threshold: Edgard Varese, Modernism, and the Experience of Modernity, Robert Jackson Wood
Dissertations from 2013
Two Sides to a Drum: Duality in Trinidad Orisha Music and Culture, Ryan J. Bazinet
Ladakhi Traditional Songs: A Cultural, Musical, and Literary Study, Noe Dinnerstein
Twelve-Tone Cartography: Space, Chains, and Intimations of "Tonal" Form in Anton Webern’s Twelve-Tone Music, Brian Christopher Moseley
Triadic Music in Twentieth-Century Russia, Christopher Mark Segall
Free from Jazz: The Jazz and Improvised Music Scene in Vienna after Ossiach (1971-2011), Thomas Albert Zlabinger
Dissertations from 2012
Aspects of Adaptation in the Egyptian Singing Film, Margaret Jean Farrell
Grunt Work for the Avant-Garde, Andrea A. La Rose
Politics, Improvisation, and Musicking in Frederic Rzewski's "Which Side Are You On?" from North American Ballads, Andrea A. La Rose
History of the Performance Practice of Mozart’s Fantasie and Sonata K. 475/457, Mikako Ogata
Dissertations from 2011
Franz Joseph Rosinack (1748-1823): A Bohemian Oboist and Music Arranger at the Fürstenberg Hofkapelle, Jan Oliver Homann
The Art Songs of Tom Cipullo, Elizabeth Bell Kling
Dissertations from 2010
The Piano Works of Páll Ísólfsson (1893–1974): A Diverse Collection, Nina Margret Grimsdottir
Madness, Sexuality, and Gender in Early Twentieth Century Music Theater Works: Four Interpretive Essays, Megan B. Jenkins
Mátyás Seiber’s Twelve-Tone Technique, Bettina Lee
Music and National Identity: A Study of Cello Works by Taiwanese Composers, Yu-Ting Wu
Dissertations from 2009
"A Kind of Construction in Light and Shade": An Analytical Dialogue with Recording Studio Aesthetics in Two Songs by Led Zeppelin, Aaron Liu-Rosenbaum
Music for the (American) People: The Concerts at Lewisohn Stadium, 1922–1964, Jonathan Stern
Dissertations from 2008
Dissertations from 2005
An Early Violin Sonata by Peter Cornelius: A Critical Edition and Study, Johannes P. Knijff
Dissertations from 2004
Transcriptions, Paraphrases, and Arrangements: The Compositional Art of Moritz Moszkowski, Gilya Hodos
An Ethnoarchaeomusicological Investigation of Highland Guatemalan Maya Dance-Plays, Mark Harold Howell
Dissertations from 1997
An Interpretive Analysis of Bela Bartok's Performance of His Own Music, Shu-Yuan Yang
Dissertations from 1996
Sonata for Trumpet and Piano, Paul Howard Kirby
Tonal and Nontonal Elements in the Recent Chamber Music of Ned Rorem, Paul Howard Kirby
Dissertations from 1994
The Tradition of Autobiography in Music, Antoni Piza
Dissertations from 1990
Conflicting Attributions in the Continental Motet Repertory from ca. 1500 to ca. 1550, Young-Han Hur
Dissertations from 1989
Dissertations from 1987
Ives on His Own Terms: An Explication, a Theory of Pitch Organization, and a New Critical Edition for the "3-Page Sonata", Carol Kitzes Baron
An Analysis of Roberto Gerhard's "Libra", Jeffrey Lynn Miller
Sinfonia Brevis (Original Composition), Jeffrey Lynn Miller
Voice-Leading Patterns in the Fugal Expositions of J. S. Bach's "Well-Tempered Clavier", William Jonathan Michael Renwick
Dissertations from 1986
String Quartet, No. 2, Edward M. Smaldone
Dissertations from 1983
Instruments in Sacred Vocal Music at Braunschweig-Wolfenbuttel: A Study of Changing Tastes in the Seventeenth Century, James Leonard Brauer
Dissertations from 1982
The Short Piano Works of Edward MacDowell, Francis Paul Brancaleone