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Theses/Dissertations from 2015

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How to Look at Monsters: Staging Female Bodies from the Periphery of the Seventeenth-Century Spanish World in Baroque Portraiture and Hapsburg Collections, Risa A. Puleo

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Training a New Trick Using No-Reward Markers: Effects on Dogs’ Performance and Stress Behaviors, Naomi Rotenberg

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Elaborations on Thought Process and Practice, George A. Schwab

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The Politics and Aesthetics of American Art during the Cold War: Commissions for Philip Johnson’s New York State Pavilion at the 1964-1965 World’s Fair, Alexandria Valera

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DEPOSITION, CONJECTURE, AND THE WORD OF NOD, Victor Vaughn

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A Statement, Cein Watson

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Suitability of Great South Bay, New York to Blooms of Pfiesteria piscicida and P. shumwayae Prior to Superstorm Sandy, October 29, 2012, Pawel Tomasz Zablocki

Theses/Dissertations from 2008

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Angels and Demons: Christina Rossetti’s Goblin Market as a Social Critique of the Victorian Ideal of the “Angel in the House” and the Pre-Raphaelites’ Response to that Ideal, Melissa Adams

Theses/Dissertations from 1991

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William Olander The Practice of an Activist Curator, Gayle Rodda Kurtz

Theses/Dissertations from 1977

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Gender Role of Male Pseudohermaphrodites in the Dominican Republic, Sara V. Mallea

Theses/Dissertations from 1975

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The United States and the Territorial Integrity of the Russian Empire: An Examination of the Development of an American Policy Toward Ukraine, Nov. 1917 - Dec, 1920, Michael J. Buryk